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BILLY
MARTIN, G. CALVIN WESTON & DJ LOGIC |
FOR
NO ONE IN PARTICULAR |
When
disc jockey Jason Kibler (a Bronx native) is asked to investigate
the unexplained behavior of a small group of drummers aboard the
avant jazz club Tonic, he is shocked by what he finds upon his arrival.
He finds out that the two remaining drummers onboard are exhibiting
extreme stress and paranoia, seemingly caused by the results of
their examination of their planet. Soon, Jason (DJ Logic) too becomes
entrapped in the unique planets mysteries. Tonic, somehow,
presents him with a second chance at love and entreats him to change
the course of a past relationship that has caused him overwhelming
guilt and remorse. But can he really revisit the past and alter
the course of events?
Our
preview may suggest a science fiction feature film and, well, it
does and it fits the vibe perfectly. The preview for the film Solaris
was edited to fit the characters for this performance. Billy Martin
(Medeski
Martin & Wood) books a gig at Tonic
(NYC) for this trio to see if they still have the magic which was
exhibited back in 1999 at BAM café in Brooklyn. He was considering
releasing a bootleg of the BAM gig, but decided to record at Tonic
in a more professional manner. The result is a scientific soundtrack,
blending many elements with a rhythmic mastery of sound using turntables,
two drum-sets, talking drums, gongs, mbiras, bird whistles, duck
calls, congas, woodblocks, trumpet and other sounds that defy categorization.
Billy
Martin - drums, percussion, producer
Grant
Calvin Weston - drums, percussion, trumpet
DJ
Logic - turntables
Album
Reviews:
MusicToday.com
GlideMagazine.com
"Think John Luries Lounge Lizards crossed with Ornette
Coleman and the Roots. For No One is an indescribable blend of avant-garde
fundamentals mixed with electrified horns, shimmering gamelan-style
percussion, African drumming, strange synthesized whines and rhythms
both chaotic and comforting, If youre a fan of these guys
either individually or together, youll be extremely pleased."
- Philadelphia Weekly
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